Imagine my surprise when I reconnected with Dave Visaya. Turns out that he was making a living and growing a business through podcasting. His company, Podcast Engineers, is a service that allows creators to do what they do best by handling all the nitty gritty stuff like editing, posting, writing shownotes, transcriptions, etc. Not only does he make a living through podcasts, but he has one of his own called The Big Picture Podcast co hosted with Jo Librero. They interview entrepreneurs in Cebu to show the possibilities of business in the Philippines.
Fortunately before they bid goodbye, I was able to book an interview with Christian Linaban. We had a long conversation about the state of the movie industry in Cebu, how he likes to make movies, his experience producing Superpsychocebu, and even a little bit about nutrition and weed.
Connecting with current artists is a by-product of producing Zerothreetwo Conversations. It’s refreshing to hear the perspective of artists who are currently playing. I don’t want to fall into the trap of featuring people who are my contemporaries. The ability to learn from the new crop of musicians and artists is valuable.
With that in mind, that’s how I approached this interview with Luigi Miguel Balazo. Luigi is half of the music group called Sepia Times, and is currently promoting his new music project called The Sellout Club. Amongst musical circles, they’ve been making waves and I jumped at the opportunity to talk music with him.
I first met Boots Brandon Pajaganas years ago. He used to invite our band, Rescue a Hero, to play music for skate events. Back in the day, I remember talking to Boots about his experience skating around Cebu. It’s been a while since I last saw Boots, but I was updated on his goingons through Facebook and Instagram.
In the past four years, Boots made a name for himself as a tattoo artist. I remember seeing posts of him winning tattoo competitions, getting tons of clients, and finally tattooing celebrities like Angelica Panganiban and Kitchie Nadal.
The first time I really got a chance to see Vincent Eco play live was during a Listening Room performance hosted 22 Tango Records. The experience was surreal. I couldn’t help myself and talked to the person beside me, “It’s so good… But so fucking depressing!” And I mean that in the most positive way possible. Good music along with good art has the ability to make you feel.